Ivory

Chinese and Japanese Carved Masterpieces

In China and Japan, the elephant is the symbol of strength, sagacity and prudence.

The AGGV has one of the largest and most impressive collections of Chinese ivory carvings in the world and a fairly good collection of Japanese ivory carvings. More than one hundred specimens will be on display….

Great New Wave

Contemporary Art from Japan

Catch the new wave of contemporary art from Japan with work from six artists who explore issues of personal and cultural identity in today’s evolving global world.

Each artist articulates aspects of this complex theme from their own unique perspective through a variety of media, including drawing, installation, photography, sculpture, textile, and video. For several of…

Emily Carr

and her Contemporaries

Emily Carr (1871-1945) achieved the status of one of Canada’s most beloved and original artists due to her hard work, artistic and spiritual passion, dedication to life-long learning, and exposure to different influences and experiences.

From the permanent collection of the Art Gallery of Greater Victoria, Carr’s paintings are set in context with the work of…

Glimpses of Japan: Recent Print Aquisitions

AGGV Puts Newly Acquired Japanese Prints on Display for First Time

Years of hard work bears fruit this week with the opening of an exhibition that features a stunning selection of Japanese prints newly added to the Art Gallery of Greater Victoria’s renowned Asian art collection.

Glimpses of Japan: Recent Print Acquisitions spans more than 300 years…

LAB 9.3: Kate Wilson, Collages in Motion and Artificial Dreams

In anticipation of Great New Wave: Contemporary Art from Japan, Toronto based artist Kate Wilson creates a wall-drawing project exploring small contained architectures. Wilson says, It’s the idea of constructing ephemeral spaces, which permit a transitory experimentation. My work goes back and forth between computer generation and hand execution. Using as sources architectural plans, images…

LAB 9.2: Mary-Anne McTrowe, Crocheting the Database

Presented in conjunction with the Vision Into Reality exhibition, Mary-Anne McTrowe has produced a crocheted history of the Art Gallery’s entire collection derived from her interest in symbolic representation, taxonomy and systems of organization: My portraits portray the Gallery’s collection as it is described through the filter of the database, and can be seen as…

Vision into Reality: The Birth of the Collection

Today, the Art Gallery of Greater Victoria holds the largest public collection of art in the province. Working with a nearly blank slate, Colin Graham, the AGGV’s founding Director, imagined a collection culled from every corner of the world. He wanted to ?give Victoria the whole gamut of ethnic cultures.? Building relationships with Victorians who…

Vision into Reality: Colin Graham and West Coast Modernism

For Canada in the 21st century it is pertinent for us to examine the evolution of Canadian art in the context of modernity. The postwar era 1945-1970 marked the expectancy of the modern as a universality. In 1951 Colin Graham became the first director of the AGGV and over the next thirty years he shaped…

Vision into Reality: The Asian Collection Begins

Colin Graham, the Art Gallery of Greater Victoria?s Founding Director, had remarkable insight in starting the Asian art collection, now one of the most important in Canada.  Among the very first works of art accepted into the Gallery?s collection in 1950 were two Japanese woodblock prints by the well-known artist, Utamaro (1753-1806).  These were given…