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The Gallery is home to one of the most comprehensive collections of Japanese art in Canada, historical collections featuring Canadian and international works, and exceptional contemporary art.
Two ladies with priest on terrace
Male peasant in flowered pantaloons, pointed slippers, vest and cap, carrying a large jug; supporting tree pedestal; small porcelain cup with gold rim
6 B&W photos of various subjects, oriented south?; interior
branch with leaves, 2 pieces of fruit, open ended rectangular shape, green at bottom
bronze bell shaped; stamped: FOR PANAMA EXPOSITION REPUBLIC OF CHINA EXHIBITS 1915
red-orange, blue & gilt on white ground; decoration on exterior but for a single band of red spirals bounded by an upper & lower blue line at interior rim; rounded belly; wide spout; scalloped
Ornately painted figure of a foppish man dressed in green tricorn hat & buttoned gilt frock coat.
teapot with rounded bottom; decorated with clay shapes, face, coils, eyes etc.; shaped spout & petal shape lid with Two Tee imprinted on it; set on a spool-like stand; teapot & lid are handbui
polychrome; fluted with petaliform rim. Blue is underglaze, rest of decoration is overglaze.
two men, nude except for the shorts they wear, are standing strenuoulsy with their legs astride on what seems to be a sandy beach. One holds his head down and the other looks up to the sky.
A single figure holding a bucket?; over his head is a spray of flora; the paper has been impressed with a pattern in the area of his lapel; four calligraphy panels placed in pairs sit in the upper por
rectangular shape; engraved with calligraphy on one side & a floral/fruit design inscribed by Yuping
Imperial royal blue backed dish
white, polychrome; cup has a reeded handle
Delicately carved woman in flowing kimono with details incised. Black ink may have been used to tone details. Two converging holes on back.
Flower & foliage design, air holes on underside & on top.
Globular jar with green/white glaze; decoration of overlapping triangular shaped leaves carved with triple lines; line at midline
Painting of A-ji-kan uses soft colours combined with very fine cut-gold lines and is composed of three main parts: the letter 'A' itself, the eight-petalled green lotus on which it rests, an
A menu for the Woodhead Supper, Faculty Club, McGill; the cover has Greek letters on top, then a face & Latin writing on the bottom -see notes; inside, the occasion, date, food menu & some mor
black ground over e-urushi with gold, silver, glossly & matte black hiramakie reeds; butterflies among grasses in varied inlays of blue & green aogai mother-of-pearl & okibirame gold mosai
pine log shaped; light brown stoneware with dark grey brown slip on exterior
very large Export Ware bowl; polychrome overglaze ; very elaborate cell border; genre scene in European porcelain in cartouches & background
Tall ovoid jar, with a concave base & strong throwing lines up the sides. Shoulder gently slopes in to a short neck & a small mouth. Glaze is very thin & uneven.
Tonase about to take her daughter Konami's life as Honzo appears at the gate.
Large cacti & rocks in the foreground, three figures carrying large bundles on their backs in mid ground, mountains & desert in the background.
Carved head is painted light brown & has a wood stand
From set of tea bowl & saucer. Floral motif dispersed around outer wall. Dot rim.
tapered rounded shape; rings & bar finial; dome lid; engraved with a landscape & calligraphy
one of a series of four portraits of the Burns children originally framed together